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Matt Finish

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Arguably the most innovative music producer to ever emerge out of Jamaica, Swiss-based cultural pioneer Lee “Scratch” Perry invented the genre and methodology of dub, turning the studio into an instrument. In his musical legacy, eccentric persona, and visionary art, we experience a journey through outer and inner space, nature, and the complexities of the Afrodiasporic experience. Arguably the most innovative music producer to ever emerge out of Jamaica, Swiss-based cultural pioneer Lee “Scratch” Perry invented the genre and methodology of dub, turning the studio into an instrument.

Arguably the most innovative music producer to ever emerge out of Jamaica, Swiss-based cultural pioneer Lee “Scratch” Perry invented the genre and methodology of dub, turning the studio into an instrument. In his musical legacy, eccentric persona, and visionary art, we experience a journey through outer and inner space, nature, and the complexities of the Afrodiasporic experience. Arguably the most innovative music producer to ever emerge out of Jamaica, Swiss-based cultural pioneer Lee “Scratch” Perry invented the genre and methodology of dub, turning the studio into an instrument.

Arguably the most innovative music producer to ever emerge out of Jamaica, Swiss-based cultural pioneer Lee “Scratch” Perry invented the genre and methodology of dub, turning the studio into an instrument. In his musical legacy, eccentric persona, and visionary art, we experience a journey through outer and inner space, nature, and the complexities of the Afrodiasporic experience. Arguably the most innovative music producer to ever emerge out of Jamaica, Swiss-based cultural pioneer Lee “Scratch” Perry invented the genre and methodology of dub, turning the studio into an instrument.